the like most boys of wealthy families from the quantify, da Vinci was schooled by represss inwardly the family residence until he was closely the age of 16. It was from this learning and sermon with his masters that Ser Piero was apprised of his son's gift in the field of sketching. So, once again, just as other young men of the era, Leonardo was indentured to a master tradesman at the age of 16 to learn a trade. Unlike other young men, his master was the famed artist Andrea Verracchio.
While with Verracchio, Leonardo learned the field of honor of pigment grinding and mixing, color mixing, panel preparation and painting, the operative of clay, bronzy casting and geometry. In 1472 he was afforded the title of bounce back in Company of Painters, yet by renaissance standards, Da Vinci sketched more than he actually painted with over 10,000 of his sketches imbed and recorded with extensive notes on the subjects. In time full point relation, the Church was still in an anti-knowledge phase, preying upon those who extolled any kind of root word outside the teachings of the Church as heretical and worthy of sacrificial punishment. The only surviving work of Da Vinci from this time was a work done in tandem with Verracchio, the Baptism of Jesus wherein Da Vinci painted one of the angels and the background.
Florence was THE city of culture at this time period (1400's), with many students of tea
"If they could touch base their technical excellence and wealth with our wisdom, they could enjoy an era of immenseness more perfect than that of the Romans and the Greeks themselves" (Carlson, 21).
Annabell, Maxine. Leonardo, The Man His Machines. Loadstar's Lair. 1999-2001. http://www.loadstar.prometeus.net/leonardo/
He never realized his dream of casting a bronze horse fully standing on hind legs, for which he was ridiculed by Michaelangelo. He was an avid starter, but rarely faultless projects. He gave us perspective to our world and worlds beyond (the moon). He awed his own generation with his plethora of ideas for futuristic machines that wouldn't be built for well-nigh three to five hundred years.
And lest we forget, he began a constructive work of the documenting of human anatomy that is in use even today. His body left us, but his instinct remains.
http://www.island-of-freedom.com/DAVINCI.HTM, 2001.
The act of procreation and anything that has any relation to it is so disgusting that human beings would soon die out if in that respect were no pretty faces and sensuous dispositions (quoted in Annabell, 1999, n.p.).
In 1506, Leonardo began his work for the French government that led to his accompaniment with pontiff Leo the X's brother to Rome and eventual position as architectural advisor to King Francis I of France who greatly look up to Da Vinci and his works. Da Vinci died in Ambiose, France in May of 1519 at the age of 67.
In 1482, Da Vinci wrote a letter to the Duke of Milan, Ludovico Sforza, that correspond him and his abilities to the Duke. Of interesting note, the letter/resume expounds extensively his capabilities as an lead and technical advisor for the creation of war implements. He continues about bridge building and fortification. It isn't until the end that we learn he is an artist. It is inserted almost in the form of a PS or subsequently thought. Did Leonardo the artist despise the label? Would he beat preferred instead to be remembered as
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