Thelma & Louise by Ridley Scott

By using the conventions of a genre from which women argon usually excluded, Thelma and Louise directly organisations the fact that this is a man's knowledge domain. The video does this by having two women enter a man's world--the world of the priapic action genre--and show that such daring evokes a direct and violent response from the world of men, in this racing shell represented by the police who come down on these two women with all the weight and power they can muster.

These generic wine considerations argon at the heart of Thelma and Louise. In the beginning, the two women are trapped in an existence that has been defined for them by the male-dominated world. They are dominated by males in their own lives in diametric ways. Thelma is married to a selfish and brutal man who treats her equal a slave by having her cater to his whims and needs. He treats her as if she were stupid, and he also acts as if making her his wife were a favor for which she should be eternally grateful. His behavior toward his wife is so far worse when she is in trouble far from home, and his boorish genius is evident to the sympathetic police detective who wants to help the women yet though he does not know them, while Thelma's save is simply antagonistic to his wife's interests.

Louise is a freer soul, unmarried and apparently in control of her lif

As noted, these women in the final analysis do not do things other than from males in buddy movies. They are still involved in the same car chases, violent acts, robberies, and attempts to escape. The gesture at the discontinue is clearly intended to evoke Butch Cassidy and the Sundance Kid and alike word-paintings where the males make a bold gesture in the face of finis. The meaning here is muddy--is there no hope at all for women in this society except to escape into death? Is such a gesture really meaningful or only a convenient way to get out(a) of a situation in which a script has compose its protagonists into a corner?

Schickel, Richard, "A Postcard from the Edge," Time (May 27, 1991), p. 64.

on that point is a feeling of a lack of event to the highest degree this film, then, that mars its effect.

How a film ends is very important, and this film does not end so much as it peters out because no one can see how to cope with the issues raised. The film may have started as an escape, but it should end with a resolution that satisfies the issues raised. It does not. The generic conventions become spoofs rather than elements in a broader condition. music genre takes over at a crucial time and leaves the real unsure of itself. Throughout, there has been a sense that all this could be avoided is the main characters would just stop and talk to someone. It could all be avoided if anyone were smarter than they seem to be in this film. The issues raised deserve break up treatment.

In the film Thelma and Louise, many of the elements of a male film genre have been adapted to a female context as a way of commenting both on the accepted genre and on the place and possibilities of women in a male world today. Thelma and Louise is a female buddy film that move directly into the action field and toys with the male prerogatives familiar from film after film. Thelma and Louise are shown as a real panic to the male-dominated society they are challenging, simply because they are women per
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.