Hot and Cool Media
According to the US nose count Bureau, Americans on average, watch nearly five hours of television daily. I do not think it would be presumptuous to reckon that Chauncey Gardiner, of Jerzy Kosinski’s novel and film Being There would more or less twofold that number. Furthermore, it can be added that when not watching television, Chauncey tended to(p) to his other passion, his beloved garden.
However, this essay will not search my hypothesis of how much time Kosinski’s fabled ace sits in front of the tube, nor give a biographical figure of Gardiner’s passions; that would be absurd. Instead, my notions are an aim to emphasize how consequential the duality of television and the garden are to Chauncey’s epistemology or lack thereof. His sheltered lifestyle, mimicry of television, as well as his understanding of plants’ cyclical nature give him the tools to approach government activity in an unbiased and juvenile nature (which may be mistaken for visionary), making him and his words truly open for interpretation. The aforesaid(prenominal) idea directly parallels Marshall McLuhan’s 1964 theory of “ bitter” and “cool” media, which will be discussed in further fact later in the this essay.
Briefly stated, McLuhan’s idea of “ furious and cool media” pertains to how ‘media’ are classed based on the amount of consultation participation. With Chauncey Gardiner’s vague, often poetic generalization about plants, on with his intriguing, often seducing presence, he invites a high level of consultation interaction. In turn, due to Chauncey’s framework of knowledge, Gardiner is an example of the ultimate “cool” medium. I intend to prove that Chauncey Gardiner’s personification of a ‘cool medium’ paved a overhear path for his rise among the political power elite.
Before discussing Gardiner’s political ascension, let me...If you want to get a full essay, order it on our website: Orderessay
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