Twelfth Night and The Great fibril of beingThe Great Chain of Being or scala naturae , a popular philosophical conceit during the European Renaissance , described a pecking order of strength beauty and importance in the cosmos a hierarchy that began with God the Omnipotent Being and ended with the animal and the lifelike world This philosophical conceit , though theological in origin , as swell up served to reinforce the social hierarchy of the climb on . For instance , it placed the King or the Queen supra every one else in the human world , as he was considered to be the representative of God on ground , thereby yettressing the doctrine of Divine Right of Kings . This concept of a hierarchical structure in the universe similarly informed the literature of the age and found poignant grammatical construction in the great tragedies by the famous Elizabethan playwrights , who very much portrayed the lamentable fate of an over-reacher or a person who aspired to exclude above his or her appointed place in the social . Instances of these might be found in William Shakespeare s Macbeth or Christopher Marlowe s Doctor Faustus Shakespeare s physical bodyic go fardy , Twelfth Night , also reinforce this concept of a fixed social yet by the use of laughter . This intends to investigate the means and slipway by which Twelfth Night serve to highlight the the true and validity of the above-mentioned philosophical doctrine as well as the text s presentation of the issues of class in the Elizabethan societyOne salient aspect of this doctrine of The Great Chain of Being is that the Chain is permanent , fixed , immutable . Thus , to rise above one s allotted position in the grasp is not only unthinkable or sinful , but generally impossible .
Therefore both attempt in this direction results either in overwhelming tragedy , as in the theatrical role of Satan in Milton s Paradise befuddled , or in rib-tickling comedy , as in the case of Malvolio or Sir Andrew Agucheek in Twelfth NightMalvolio , being a keeper in Lady Olivia s toleratehold , his love for the Mistress of the house is over-ambitious and pompous in addition to being a rape of the Great Chain . This is the reason why the famous gulling of Malvolio by Sir Toby , Maria and others evoke laughter . Sir Toby s reactions to Malvolio s stargaze about Lady Olivia clearly reveal his deep-rooted class prejudicesMal .Maria once told me she (Lady Olivia ) did affect me , and I have heard herself come thus near , that should she fancy , it should be one of my skin colour . Besides , she uses me with a more exalted respect than any one else that follows her . What should I think on tSir Toby : hither s an overweening rogue (2 .5 .23-29As Malvolio s daydreaming continues so do the move abuses from stunned Sir Toby flabbergasted by the steward s unworldly aspirations O for a stone-bow to hit him in the eye (2 .5 .46 cut and brimstone (2 .5 .49 Bolts and shackles (2 .5 .56 . Sir Andrew Agucheek , another witness...If you want to get a unspoiled essay, order it on our website: Orderessay
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