Death of a Salesman by American playwright Arthur Miller

As he so well demonstrated in It's A Wonderful Life, Stewart would be clear for embodying the feelings of failure and humiliated self-esteem that boil all over into desperation and suicide in the reference of Willy. Stewart was also sl hold oner at playing confused and talking to himself, so he would be ideal in the scenes where Willy is having flashbacks, confused and talking to himself. Stewart was sensitive at talking fast as well, so he would be believable as an obnoxious sales spell who pushes too saturated and is past his prime. He would be able to play quite well scenes where Willy has flashbacks and begins to talk to himself and others confusing the past for reality:

Willy: (elegiacally, turning to the preindication): Now when you kick off, boy, I want a s level offty-yard boot, and hitch right down the field under the ball, and when you hit, hit low and hit hard, because it's important, boy. (He swings around and faces the audience). There's all kinds of important people in the stands, and the first thing you know?(Suddenly realizing he is alone.) Ben! Ben, where do I?? (He makes a sudden movement of search.) Ben, how do I??"

With the character of Linda, we need someone who would be able to embody the spot of co-dependent and enabler that Linda represents while still retaining our respect for standing by her man because of her deep love of him. Greer Gar news, star of Mrs. Miniver, Pride and Prejudice and many another(prenominal) other great films would be

excellent because she has the ability to exude the kind of warmth, innocence and love that atomic number 18 required in the office staff of a long-suffering married woman who still respects and loves her husband. She would be excellent in the scenes with Willy where she is trying to give him confidence, like "You don't talk too much, you're just diligent" (Miller). As would she be very good at activated scenes with the boys which end with exclamations like, "He's dying, hit" (Miller). Greer Garson had a great range of acting ability, from passionate and emotional to vulnerable and sensitive.

She would be great as the long-suffering wife who refuses to accept her husband's failures and is able to support him even if it means telling her children in no uncertain scathe that she thinks they are selfish and uncaring when it comes to their treatment of their drive.

The character of Biff, the self-absorbed son filled with animosity and resentment because he knows his father is a "fake" would be well served by fix Pitt. Pitt has shown the ability to look like a typical suburban son who is capable of emotional outbursts and rages of real feeling. He would be excellent at the kind of sarcastic disrespect Biff expresses toward Willy, especially in lines like the following one to Linda, "He's got no character?Charley wouldn't do this. Not in his own house?spewing out that vomit from his mind" and others like "People are worse off than Willy Loman. Believe me, I've seen them!" (Miller). Pitt also exudes a shape and sexual charisma that would make it believable how he could end up adrift like Biff because of always relying on his charms to get by. Pitt also retains the athleticism that would be well desirable for the character of Biff.

Montgomery Clift has the perfect sensitivity and "good son" appearance required to adequately fill the role of Happy. Clift would be excellent at being able to play the role of the brother who has more illusions about his father and a chipping more respect for hi
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